
Lighting up the ordinary with technicolour
Discover how Windhoek residents Kat Stahl and Wynand Lens are transforming neglected bus stops into vibrant public artworks, inspiring community pride, creativity and positive urban
By Laschandre Coetzee
From 22–24 May 2026, RMB Latitudes Art Fair returns to Shepstone Gardens in Johannesburg, bringing together artists, galleries and cultural practitioners from across the continent in what has become one of Africa’s most compelling contemporary art platforms. Now in its fourth edition, the fair continues to distinguish itself through a curatorial approach that prioritises meaningful engagement, longterm visibility for artists and a more intimate, immersive experience of art.
For The Project Room, participation in this year’s fair presents an opportunity not only to showcase Namibian talent, but to contribute to a broader continental dialogue that reflects both the diversity and depth of artistic practices emerging from Namibia today.
This year’s presentation centres on a considered pairing of two artists: Anne Lacheiner-Kuhn and Trudi Dicks. While separated by generation, biography and lived experience, their works come together in a quiet yet powerful conversation that unfolds through form, material and restraint.
Anne Lacheiner-Kuhn, a young Namibian artist whose multidisciplinary practice engages with identity, memory and belonging, brings a contemporary lens to the booth. Her work navigates layered histories through processes of collage, sampling and reconfiguration, often reflecting on the fluidity of identity and the complexities of inhabiting multiple cultural narratives. As a queer artist working between Namibia and London, her practice is both deeply personal and politically resonant, contributing to a growing discourse around representation and selfhood within African contemporary art.
Much like an oasis, the Namibian art scene has grown in conditions that are often geographically and structurally challenging yet continues to produce work of remarkable depth and international relevance.
Together, these two bodies of work create a compellingly aesthetic and thematic tension. Where Lacheiner-Kuhn’s work speaks to fragmentation and reconstruction, Dicks’ offers a sense of resolution and calm. Where one navigates the maze of contemporary identity, the other holds space for contemplation and continuity. This intergenerational exchange underscores a central proposition: that Namibian art is not singular but richly layered – capable of holding multiple narratives, voices and temporalities at once.
This year’s fair theme, Oasis, considers the idea of creative flourishing in unlikely contexts – a notion that resonates strongly with Namibia’s own artistic landscape. Much like an oasis, the Namibian art scene has grown in conditions that are often geographically and structurally challenging yet continues to produce work of remarkable depth and international relevance.
Participation in RMB Latitudes Art Fair 2026 allows The Project Room to position Namibian art in the continental framework, connecting local artists to new audiences, collectors and institutions, while contributing to ongoing conversations shaping African contemporary art.
The gallery’s participation in this fourth edition is once again supported by RMB Namibia, whose investment in platforms such as this plays a vital role in strengthening the visibility and sustainability of the Namibian arts industry, as well as fostering meaningful cultural exchange across the continent.

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